جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
arranged and transcribed by Néstor Ausqui
Johann Sebastian Bach most likely
composed the Chromatic Fantasia and Fugue during his stay in Kothen
between 1717 and 1723. Originally written for the harpsichord, the work
was duly recognized as a masterpiece within its own era.
Néstor
Ausqui has taken extraordinary measures in creating a guitar
transcription of this monumental piece. The fundamental tonality of D
minor was retained to preserve the work’s sonority, and the 6th string
of the guitar had to be lowered to D to expand the guitar’s range and
adhere to the original key.
The articulation of the piece often
requires the use of the slur technique to maintain and enhance the
legato effect in the melodic line. As the guitar has a more percussive
character than the harpsichord, various inconveniences occur in the
management or execution of the legato, but the transcriber has done his
best to preserve the character of the original piece.
Ausqui
admits that the most arduous task was the fingering of the piece. He had
to familiarize himself with Bach’s intentions and avoid shortcuts and
aberrations which would have depleted the original harmonies and
melodies. In the process, he discovered that utilization of the open
strings can subtly enhance the balance of right and left-hand duties to
achieve the timbre the original score mandates.
Written in
standard notation only, with each line of music forming only one
measure, this piece is meant for the classical guitarist willing to
accept an interpretive challenge to reap enormous musical benefits.