جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
Music transcribed and adapted for modern guitar
by Frank Koonce
Scholarly editions, which serve different purposes than performance
editions, are not often designed with the modern guitarist in mind. For
instance, Renaissance vihuela tablatures are usually transcribed with
the open first string as G, not E. Most are presented in double-staff
notation, a medium that is superior for realizing counterpoint but
unconventional as guitar notation. Furthermore, these editions sometimes
give idealized, but not realistic, solutions for voicing, note
duration, and other matters that need to be considered within the
limitations of our instrument. Guitarists who try to play from these
editions essentially are faced with the task of transcribing the
transcription!
This 188-page anthology is designed as a companion
volume to The Baroque Guitar in Spain and the New World (MB21122). It
includes representative selections, edited for modern guitar, from the
seven books for vihuela that were published in Spain between 1536 and
1576.As well as being fun and entertaining music for all to enjoy, these
collections are intended to help bridge the gap between scholarly
editions and performance editions by providing a hands-on introduction
to tablature transcription and to issues concerning historically
informed performance of early music on the guitar.
* A 188-page
anthology, edited for modern guitar, from the seven books for vihuela
that were published in Spain between 1536 and 1576
* A companion volume to The Baroque Guitar in Spain and the New World (MB21122)
*Intended to help bridge the gap between scholarly editions and performance editions
*
An introduction to tablature transcription and to issues concerning
historically informed performance of early music on the modern guitar.