جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
taught by Mark Boling
Pianists are the main sources of inspiration for new developments in
jazz guitar comping. Yet guitarists have been slow to develop a comping
vocabulary with harmonic sophistication, subtle voiceleading, and
rhythmic flexibility on the level of the best contemporary pianists.
This book seeks to remedy the situation by articulating a comping
vocabulary in the context of six of the most often played tunes in jazz:
12-bar blues, rhythm changes, minor blues, a modal tune, and a couple
of standards. The comps are written out in notation and tablature and
include rhythms with forward motion, chords built in fourth intervals,
parallel constant structure voicings, polychords, slash chords, etc. The
focus is on developing a contemporary approach to rhythm, phrasing,
chord voicings, voiceleading, chord substitution, and reharmonization. A
play-along online audio recording of the guitar comps with bass and
drums helps get the sounds and rhythms in your ear. The theory of how
the comping concepts are applied to the music is explained, with ideas
on how to use them creatively.