جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
1 The Menuhin Hall
Stoke D’Abernon, Surrey (Burrell Foley Fisher 2006)
2 Ronchamp Chapel
Chapel of Nôtre Dame du Haut, Ronchamp, France (Le Corbusier 1955)
3 The East Stand
Arsenal Stadium, Highbury, London (William Binnie 1936)
4 Grand Central Waltz
Grand Central Terminal, New York (Reed and Stem 1913)
5 Walt Disney Concert Hall
Los Angeles, California (Frank Gehry 2003)
6 Fallingwater
Bear Run, Pennsylvania (Frank Lloyd Wright 1935)
7 The Gherkin
30, St Mary Axe, London (Norman Foster 2004)
Frozen Music
was commissioned by the Yehudi Menuhin School for a gala concert in the
newly opened Menuhin Hall; celebrating the 90th Anniversary of Yehudi
Menuhin’s birth. The composer took the opportunity to write a set of
pieces based on architectural models.
Each of the seven movements
evokes a particular piece of architecture. The sharp visual contrasts
between the buildings are reflected in abrupt shifts of musical style.
The compositional approach to each movement is guided by the techniques
used by the architect – for example, in Ronchamp Chapel, the composer borrows proportional relationships from Le Corbusier’s “Modulor” architecture to structure the music.
The
first movement is based on the Menuhin Hall itself and presents a
phantasmagoria of music closely associated with Yehudi Menuhin and with
his school; echoes of Beethoven, Schubert, Strauss and Schoenberg are
frozen in time. The extended quotation from Schubert’s Litanei remembers Menuhin’s funeral, when all 29 violinists at the school gave a moving and unforgettable performance of the song.
The whole score is suffused with references, quotations and ciphers which occasionally bubble up to the surface. Fallingwater,
for instance, is built from fragments of pieces about rivers and
waterfalls. Grand Central Waltz refers to a scene in Terry Gilliam’s
film The Fisher King where rush-hour commuters at New York’s Grand Central Terminal suddenly start Waltzing en masse.
The first performance was given on the, 22nd
April 2006, in The Menuhin Hall, Stoke D’Abernon, Surrey, UK. Tom Ellis
was the soloist with string players from the Yehudi Menuhin School. The
same emsemble gave the first London performance at the Wigmore Hall, on
27th June 2006. The first U.S. performance was given by
guitarist Ricardo Iznaola with members of the Colorado Symphony
Orchestra, Hamilton Recital Hall, Newman Performing Arts Center,
Colorado, USA on 5th October 2006. Recorded on Frozen Music (© 2007) - a collection of Stephen Goss’s chamber music.