جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
by Alexander Rehding (Editor), Steven Rings (Editor)
Music Theory has a lot of ground to cover. Especially in
introductory classes a whole range of fundamental concepts are
introduced at fast pace that can never be explored in depth or detail,
as other new topics become more pressing. The short time we spend with
them in the classroom belies the complexity (and, in many cases, the
contradictions) underlying these concepts. This book takes the time to
tarry over these complexities, probe the philosophical assumptions on
which these concepts rest, and shine a light on all their iridescent
facets. This book presents music-theoretical concepts as
a register of key terms progressing outwards from smallest detail to
discussions of the music-theoretical project on the largest scale. The
approaches individual authors take range from philosophical, historical,
or analytical to systematic, cognitive, and critical-theorical-covering
the whole diverse spectrum of contemporary music theory. In some cases
authors explore concepts that have not yet been widely added to the
theorist's toolkit but deserve to be included; in other cases concepts
are expanded beyond their core repertory of application. This collection
does not shy away from controversy. Taken in their entirety, the essays
underline that music theory is on the move, exploring new questions,
new repertories, and new approaches.
This collection
is an invitation to take stock of music theory in the early
twenty-first century, to look back and to encourage discussion about its
future directions. Its chapters open up a panoramic view of the
contemporary music-theoretical landscape with its expanding repertories
and changing guiding questions, and offers suggestions as to where music
theory is headed in years to come.