جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
In his piano works especially, Erik Satie (1866–1925) was a
witty musical caricaturist. The eccentric French composer loved to
satirize academic rules in general and the impressionistic titles of
Debussy's compositions in particular, giving his own works such
surrealistic names as Pieces in Pear Form and Dried Embryos,
and annotating them with equally bizarre musical directions: "Tres
'neuf heures du matin" (Very "nine in the morning"), "Corpulentus"
(Corpulent), and so on. His comic spirit is equally embodied in the
music itself, as this delightful selection of seventeen piano works
amply proves. They are as spare, lively, and capricious as they are
hauntingly melodic. In addition to the well-known Gymnopédies and Gnossiennes, the pieces reproduced here include Sarabandes,
Pièces froides, Poudre d'or, En habit de cheval, Morceaux en forme de
poire, Embryons desséchés, Aperçus désagreables, Descriptions
automatiques, and more.
This volume, the largest
collection of Satie's piano works yet published, has been reprinted on
fine-quality paper from authoritative original editions, and sturdily
bound to provide you a lifetime of study and enjoyment. In its pages are
some of the most original and appealing achievements of a turbulent era
in music, compositions that influenced such modern masters as Ravel,
Milhaud, and Poulenc.