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- جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
Early in his career, Bach began to transcribe for the keyboard a
number of concertos for violin, oboe, and other instruments by such
baroque masters as Vivaldi and Telemann. His purpose: to study and
explore the works of other composers as well as to supply good clavier
music for his own performances.
This collection of sixteen of these
celebrated transcriptions is reprinted from the definitive
Bach-Gesellschaft edition prepared by Ernst Naumann and presented in a
study format designed to give amateur and professional pianists and
harpsichordists a lifetime of pleasurable study and use.
Six of these
glorious keyboard works are known to be transcriptions of Vivaldi
violin concertos. Three are based on concertos written by Duke Johann
Ernst of Saxe-Weimar, the son of Bach's employer at Weimar. One is based
on a violin concerto by Telemann, another on an oboe concerto by
Alessandro Marcello, and another on a concerto by Benedetto Marcello.
The sources of the remaining works are unknown.
Vivaldi, whose music
Bach probably first heard in 1712, was to provide a strong influence on
the young composer. Bach would eventually assimilate the Italian's style
and use it with his own contrapuntal heritage and the Northern idiom in
creating what we recognize today as the typical Bach style. These
transcriptions, which represent his introduction to the new idiom,
richly display a dynamic virtuosity that makes their performance an
exhilarating experience.
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