جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
by Fritz Winckel
Related closely to the field of physical acoustics is that of
psychoacoustics, which deals with the phenomena of musical hearing from a
psychological and aesthetic point of view. One of the major
contributors to our understanding of the subject is Fritz Winckel. When
this book first appeared in German in 1960, reviewers pressed for an
English translation. This Dover volume is an answer to that demand: it
makes Professor "Winckel's important study generally available to
English-language readers for the very first time." It has been
extensively revised and updated by the author.
In his
thought-provoking study, Professor Winckel applies the findings of
technical researches in acoustics to the practice of music, covering
many different aspects of recent psychoacoustical researches: the
evaluation of loudness and the dissolution power of the car; the
influence of the acoustical properties of the concert hall on the
hearing process; the function of time variation and rhythm in musical
perception; the evaluation of the sound spectrum including the
unharmonic components. He surveys extensively the German and English
literature in the field, organizing his information into chapters on
stationary sound, the onset behavior of sound, the concept of space, the
concept of time, the evaluation of sound through the hearing mechanism,
unclarity in musical structures, simultaneously sounding tones,
electroacoustic sound structure, and the effect of music on the
listener.
This book should prove equally useful to acousticians,
sound engineers, and others working in this area of applied physics and
to composers, performers, and musicologists concerned with the technical
aspects of music. Psychologists working in the field of sense
perception will also find much of value here.
New translation by Thomas Binkley of the 1960 German edition of Phänomene des musikalischen Hörens, with revisions and corrections by the author.