جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
by Anton Rubinstein (Author), Teresa Carreño (Author)
With Rubinstein considered Liszt's only possible rival on the
concert stage, and Carreño as the foremost woman pianist of the late
nineteenth century, it is an unexpected gift that both have left behind
insights into that supremely important — but grossly neglected — aspect
of performance called "the soul of the piano": the art of piano
pedaling. Their treatment of pedaling is of the utmost importance, not
only from a historical standpoint, but for what it can still teach even
the most sophisticated player. Rubinstein's pedaling technique is
explored using specific examples from a vast repertoire of works he
performed in 1885-6. Carreño's observations — written in a warm,
non-academic style — explore her sensitivity to the most subtle keyboard
colorings made possible through combinations of touch and pedal.