جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
by Heinrich Schenker (Author), William Drabkin (Editor), Ian Bent (Translator), Alfred Clayton (Translator), Derrick Puffett (Translator)
The three volumes of The Masterwork in Music
present complete English translations of major works by Austrian music
theorist Heinrich Schenker, one of the twentieth century's leading
figures in the field. First published in German between 1925 and 1930,
these essays represent Schenker's greatest writings in analysis prior to
the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition).
This new publication of the long-awaited English translation, which
first appeared in the distinguished Cambridge University Press edition,
provides a valuable resource for scholars. Editorial annotations and
elucidations by Dr. William Drabkin and his translators offer additional
insights.
This volume comprises the eminent Austrian theorist's
main writings from the mid-1920s to 1930. In addition to essays on music
theory in cultural context, the book is dominated by one of Schenker's
most celebrated studies of a single work: the analysis of Beethoven's
"Eroica" Symphony, which discusses all four movements in painstaking
detail. Volume One includes analyses of keyboard works by Bach,
Scarlatti, Chopin, Beethoven, and Handel and solo violin music by Bach,
along with studies of other works. Volume Two contains a major essay on
Mozart's Symphony No. 40 in G minor and shorter studies of works by
Bach, Haydn, and Reger.