جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
By Germaine Tailleferre
Germaine Tailleferre has long been known as an important composer of
music for the Harp, with her Sonata and Concertino being well-known
concert favorites of both harpists and audiences alike. Her love for the
instrument dates back to the period between 1913-1919, when she was a
student at the Paris Conservatory. She became friends with the assistant
professor of Harp, Caroline Tardieu, who had been a student of
Hasselmans and had become a well-known harpist in the best Parisian
Orchestras as well as a sought-after teacher of harp. The Daughter of
composer and conductor Alexandre Luigini, Caroline Tardieu was always
interested in new works for the harp both for her students and her own
concerts. Madame Tardieu asked a number of her friends, including her
father, Saint-Saens, Moskowsky, Pierné, Tournier and Hasselmans to write
short works for her. It was only natural that she also explain to her
friend the young composer Germaine Tailleferre the various techniques of
writing for the
harp which lead to this series of 18 short pieces.
While they are relatively early works in Tailleferre's career, one can still hear the freshness, the
energy and the gaiety of her musical style. Several works have a certain exotic quality to them
while others are influenced by the works of Fauré, who was The Director of the Paris
Conservatory during Tailleferre's studies.