جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
By Evelyn Castiglioni
A collection of Scottish tunes from the nineteenth century and earlier
have been carefully selected for their suitability on harp. They lay
well under the fingers, are enhanced by the rhythmic and tonal
properties of the plucked string and its overtones, and are musically
interesting. Airs were chosen for their melodic beauty. Arrangements are
traditional in style with ornamented melodies, open chords, and spare
harmonies. Tunes are given in two keys, one in all naturals or one
sharp, the other in one or two flats. Suggestions for fingering are
given, levers or pedals need to be set only at the beginning of each
piece, except for the Boat Songs, which require one lever or pedal
change. Finally, historical and performance notes on the music are
provided, together with a list of sources that are available from U.S.
or Scottish distributors.
Table of Contents:
Highland
Boat Song and Arran Boat Song (medley), MacDonald Lord of the Isles,
Mary Young and Fair, Soldier’s Joy, Garthlands, Niel Gow’s Lament for
the Death of His Second Wife, Cradle Song, and St. Mungo’s Welcome to
Scott Skinner.