جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
by Carola Nielinger-Vakil
The anti-fascist cantata Il canto sospeso, the string quartet
Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo
cemented Luigi Nono's place in music history. In this study, Carola
Nielinger-Vakil examines these major works in the context of Nono's
amalgamation of avant-garde composition with Communist political
engagement. Part I discusses Il canto sospeso in the context of all of
Nono's anti-fascist pieces, from the unfinished Fučik project (1951) to
Ricorda cosa ti hanno fatto in Auschwitz (1966). Nielinger-Vakil
explores Nono's position at the Darmstadt Music Courses, the evolution
of his compositional technique, his penchant for music theatre and his
use of spatial and electronic techniques to set the composer and his
works against the diverging circumstances in Italy and Germany after
1945. Part II further examines these concerns and shows how they live on
in Nono's work after 1975, culminating in a thorough analysis of
Prometeo.