جهت استعلام قیمت، خرید و مشاهده نمونه صفحه محصول، لطفاً از طریق پشتیبانی فروشگاه در واتساپ و تلگرام اقدام فرمایید.
By Joan Titus
In the late 1920s, Dmitry Shostakovich emerged as one of the first
Soviet film composers. With his first score for the silent film New
Babylon (1928-29) and the many sound scores that followed, he was
situated to observe and participate in the changing politics of the film
industry and negotiate the role of the film composer. In The Early Film
Music of Dmitry Shostakovich, author Joan Titus examines the
relationship between musical narration, audience, filmmaker, and
composer in six of Shostakovich's early film scores, from 1928 through
1936. Titus engages with the construct of Soviet intelligibility, the
filmmaking and scoring processes, and the cultural politics of scoring
Soviet film music, asking how listeners hear and see Shostakovich. The
discussions of the scores are enriched by the composer's own writing on
film music, along with archival materials and recently discovered
musical manuscripts that illuminate the collaborative processes of the
film teams, studios, and composer. The Early Film Music of Dmitry
Shostakovich commingles film/media studies, musicology, and Russian
studies , and is sure to be of interest to a wide audience including
those in music studies, film/media scholars, and Slavicists.